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MET
Biography
These boys are no strangers to the roots music scene in Hollywood. Eldred was
last seen and heard as a founder/writer/guitarist with former Stray Cat Lee
Rocker, in Lee Rocker’s Big Blue, while Angel and Bazz have been the
faithful “keepers of the backbeat” for the critically acclaimed
Blasters. All three mugs have favorably graced the pages of Guitar Player,
Guitar World and other respected musician magazines, as well as rave reviews
from the LA Times. Here’s one well-received review of many...
“This
guitar intensive album features superb playing by axe
man Mike Eldred, whose speedy picking, deep dish bends,
and snarling tone alternately caress and pummel in
the solo spotlight”
... Art Thompson, Guitar Player Magazine
The
Mike Eldred Trio has an impressive resume’, with
the rhythm section of Jerry Angel and John Bazz coming
from The Blasters and Eldred, in the Brian Setzer seat
during ex-Stray Cat Lee Rocker’s recording tenure
at Black Top. Their self-titled album finds bombs going
off everywhere, in chunky Stevie Ray Vaughn chordings
and ‘60s-inspired dance grooves, in rockabilly
blowouts and L.A. roots investigations along the Phil & Dave
Alvin-X-John Doe axis, in country shuffle-swing (“Mess
of the Blues”) and more, including covers of “I’m
Ready” (from Muddy Waters), “Mystery Train” (from
Junior Parker, via Elvis), and, complete with backwards
guitar, Hendrix’s “Pali Gap”. No
matter what the genre, the band nails the feel and
Eldred distills the appropriate guitar potion. Fingers
On Fire award recipient!
Blues Revue Magazine - May, 2000
“The
Mike Eldred Trio, featuring guitarist Mike Eldred and
Blasters rhythm section Jerry Angel and John Bazz became
the surprise highlight of the weekend. Eldred put his
well-worn Tele through guitar clinic like displays
of blues boogie and rockabilly expertise”
...1998 Catalina Blues Festival-Adam St. James, Guitar
Magazine
“Mike
Eldred is among the rare breed of young guitarist who
is not afraid of blurring lines in American Music.
By bending all of his favorite musical styles, Mike
has created his own original voice in modern electric
guitar playing. HE’S WHAT IT’S ALL ABOUT,
BABY!”
... Brian Setzer
Guitar & Bass Magazine (France) Album Of
The Month
There is something unbelievable about Mike Eldred Trio's music. The music of
Mike Eldred (guitar-vocals), Jerry Angels (drums) and John Bazz (bass) could
best be described as a full speed impact between two fireballs, the resulting
effect being a compression of two styles, Scotty Moore's ( Elvis Presley's
legendary guitarist) and Angus Young's (AC/DC). Their boogie-blues carries
incredible energy, displaying the aftermath of raging rockabilly and raw blues.
Mike Eldred's meeting with Scotty Moore in 1993 was a turning point in his
career. After several shows with Presley's legendary guitarist, touring all
over California, then with Buddy Guy and Koko Taylor, Mike Eldred, along with
ex-Stray Cats Lee Rocker, founded the Lee Rocker's Big Blue, releasing an album
on Black Top Records. Mike Eldred wrote or co-signed most of the songs As for
Jerry Angel and John Bazz, they were the Blasters' rhythm section for several
years, before joining Brian Setzer and Big Joe Turner on the road. This is
Mike Eldred's first album, opening on a devilish shuffle, " Nick's Shuffle ",
borrowed from his N.Y.C friend' Steve Johnson. Then comes “Tiger Man ",
obviously inspired from Buddy Guy's style. Following this, the album takes
on a new dimension. After a superb shuffle, " Another Romeo ", come
a few good old mean and dirty rockabilly tracks, like " Hello Baby ",
where the Telecaster 52' sound is at its best, or the angry covers of " My
Way " (Eddie Cochran) or " Wild Guitars ", both dangerously
efficient. His superb rendering of the ballad “Mess Of Blues " unveils
Mike Eldred's worship of Scotty Moore.” Thin Line “and” I
Could Be That Man For You “display Mike Eldred's talent as a writer,
equally at ease in revved up tempos or emotionally charged singing. With " Mystery
Train ", Mike Eldred takes us along for a last ride in the leather seats
of an Eldorado Cadillac, before closing the album on an amazing 12 minutes
live version of Jimi Hendrix' " Pali Gap ".
MIKE ELDRED TRIO COACH HOUSE SAT, SEPT 23rd
I was not quite late enough to miss the opening band, which is a shame. No
one seemed to be paying much attention, and I had that uncomfortable feeling
you have when a singer is pouring his heart out, while everyone ignores him. But
all was not lost…
Just as they finished, the crowd thickened, as fans of all shapes and sizes
filtered in. Lee Rocker was headlining. I saw lots of hair grease, red
lipstick, and cool boots, some serious rockabilly folks mixed in with the Orange
County yuppies, kids and all. An interesting mix.
The next band up was the Mike Eldred Trio, fronted by (you guessed it) Mike
Eldred. Mike used to be a member of Big Blue, backing Lee Rocker before
he went solo. He performed on three Lee Rocker albums, including Lee
Rocker's solo album "No Cats", where Mike even wrote a few songs.
Deciding to front his own project, Mike hooked up with former Blasters rhythm
section John Bazz on bass and Jerry Angel on drums (Bill Bateman was filling
in for Jerry at the Coach House). Two-and a half years later and things
seem to be taking off for the Mike Eldred Trio: They've signed a three-album
deal with Virgin in France and just released their first record in June. They
are quite popular overseas and will be touring to support the record, which
is already getting a great response.
Mike opened the show with a Jerry Jones Baritone guitar, but then switched
to an old Tele, which I learned he's had since high school. Signed by
Scotty Moore and Carl Perkins, this axe is worth some cash! (Not for
sale I'm sure). He plays through a Fender Custom Vibroluxe Reverb and
Fender Deluxe Reverb, running both in stereo. Sweet.
Their sound? Call it roots, call it rockabilly, call it blues, call it
swing, but whatever you call it, it's damn good rock n roll! Quite simply,
he smokes. Opening with a blazer that demanded your attention, the crowd
did a 180. Folks previously milling around at the bar head toward their
seats and all heads face the stage. This guy can play. His eyes
are closed and he's in the zone. Taking us for a ride. Fast, then
slow. Smooth then chunky, you stay interested all the way. No vocals,
just a plain good guitar jam.
Not that he can't sing. After the opener, Mike hit the mic and sang his
little heart out, quite well for the rest of the set. Heavily influenced
by Scotty Moore and Jimmy Hendrix, Mike Eldred is one those guys that has the
magic, the talent to make people sit up and take notice. If you're a
fan of roots music, and don't need all the bells and whistles, this is your
man. Plain good music.
-JJ Reilly
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